Oíhaŋke Waníča (Infinity), 2023
Oíhaŋke Waníča (Infinity), 2023
Embroidery on velvet fabric, performance.
Image credit: Emmanuel Abreu
Performed at CARA NYC
This artwork lives and breathes while Kite sleeps in Ancram, NY. Each week, Kite will create a series of geometric designs that translate her dreams. The patterns draw from traditional Lakȟóta art-making where many designs and forms of bead-work use geometric renderings to communicate narratives and visions which are sometimes first encountered in dreams. Kite’s patterns, rooted in a rich history of creation and subconscious engagement, will then be translated through Lakota designer Sadie Red Wing's Lakota Shape Kit. This work imagines the embroidery machine as an artificial being transforming knowledge from the dream world into the visual language of the dreams and correspond the designs with Lakȟóta words. These cyborgian communications will lead to the production of embroidered textiles depicting the designs, and in turn a series of activating performances. The land of dreams, thus becomes fodder for a dialogue between individuals and a future of communally built cybernetic systems.